The Brightness of the Fens, Entry 3
Apr. 22nd, 2023 06:41 pmI've tried to write this quite a few times now, about Rust, and it keeps turning around funny in my head. Which is a very Lunar-Stellar thing, I suppose, having an overwhelming experience without the words to put shape to it. I'm going to type out what I've written in the past few days in my journal. There's also some writing that I've had laying around from back when Malcolm and I were watching TLBD, and from that, what I shared with another friend who's into TLBD. So, here goes.
It is said by the unhappy, that "the truth is a cave in the Black Mountains". Rust Cohle lives this to his near-end, and it is only by realizing that, being faced with death at last, he would rather live, that eventually sways him. That is the emotional conflict of Rust's character -- is he right or wrong, to give up on humanity and try to find a way to die?
But this is prologue to discussing the path of the Lunar-Stellar that Rust embodies in its positive and negative aspects, as well as a particularly uncomfortable sort of queer identity.
The Lunar-Stellar is a path that defines itself as OUTER, separate from civilization and the human as well. Rust, both in the 1990's and in 2012, is an example of the Lunar-Stellar in his life and his mind. Rust is "the Taxman", "out of East Texas", "from Alaska". Spatially, he sets himself apart from his ostensible coworkers in some ways he can control, and some ways he can't. He can never be part of Town life, the Solar world of Good Ol' Boys, so why bother trying?
Can I talk about Rust in the Lunar-Stellar without the contexts of his autism and his queerness?
- He is the most accurate portrayal of how my autism and other mental discontinuities manifest and are managed.
- He (and Marty) read as extremely queer, becoming ultimately Solar-Lunar.
It is said by the unhappy, that "the truth is a cave in the Black Mountains". Rust Cohle lives this to his near-end, and it is only by realizing that, being faced with death at last, he would rather live, that eventually sways him. That is the emotional conflict of Rust's character -- is he right or wrong, to give up on humanity and try to find a way to die?
But this is prologue to discussing the path of the Lunar-Stellar that Rust embodies in its positive and negative aspects, as well as a particularly uncomfortable sort of queer identity.
The Lunar-Stellar is a path that defines itself as OUTER, separate from civilization and the human as well. Rust, both in the 1990's and in 2012, is an example of the Lunar-Stellar in his life and his mind. Rust is "the Taxman", "out of East Texas", "from Alaska". Spatially, he sets himself apart from his ostensible coworkers in some ways he can control, and some ways he can't. He can never be part of Town life, the Solar world of Good Ol' Boys, so why bother trying?
Can I talk about Rust in the Lunar-Stellar without the contexts of his autism and his queerness?
- He is the most accurate portrayal of how my autism and other mental discontinuities manifest and are managed.
- He (and Marty) read as extremely queer, becoming ultimately Solar-Lunar.