goatgodschild: (Default)

This is a big post, and I think I should get through some background and overview before it can properly start. 

The Long Bright Dark is one of the most low-key horny shows I’ve ever seen, in a way that I can only describe as “1970’s”.

 

I'm not kidding, this is long... )
goatgodschild: (Default)
* Rust jumps at the NCAP stance because it's an excuse to stay home, play his music, and look at cold cases. And NO GLITTER. The cough syrup bottles are arranged into the Bi Flag colors, tho.

* Pins Rust would wear to Pride:
- God Makes No Mistakes (because he doesn't exist)
- We are the people our parents warned us against
- I am a member of an immoral subculture
- Morally Repugnant
- ACAB
- No Cops At Pride
- No Hugs
goatgodschild: (Default)
I've tried to write this quite a few times now, about Rust, and it keeps turning around funny in my head. Which is a very Lunar-Stellar thing, I suppose, having an overwhelming experience without the words to put shape to it. I'm going to type out what I've written in the past few days in my journal. There's also some writing that I've had laying around from back when Malcolm and I were watching TLBD, and from that, what I shared with another friend who's into TLBD. So, here goes.

It is said by the unhappy, that "the truth is a cave in the Black Mountains". Rust Cohle lives this to his near-end, and it is only by realizing that, being faced with death at last, he would rather live, that eventually sways him. That is the emotional conflict of Rust's character -- is he right or wrong, to give up on humanity and try to find a way to die?
But this is prologue to discussing the path of the Lunar-Stellar that Rust embodies in its positive and negative aspects, as well as a particularly uncomfortable sort of queer identity.

The Lunar-Stellar is a path that defines itself as OUTER, separate from civilization and the human as well. Rust, both in the 1990's and in 2012, is an example of the Lunar-Stellar in his life and his mind. Rust is "the Taxman", "out of East Texas", "from Alaska". Spatially, he sets himself apart from his ostensible coworkers in some ways he can control, and some ways he can't. He can never be part of Town life, the Solar world of Good Ol' Boys, so why bother trying?

Can I talk about Rust in the Lunar-Stellar without the contexts of his autism and his queerness?
- He is the most accurate portrayal of how my autism and other mental discontinuities manifest and are managed.
- He (and Marty) read as extremely queer, becoming ultimately Solar-Lunar.
goatgodschild: (Default)
Viewed through the perspective of the Fencraft, Rust and Marty exist at opposing ends of the Realms. Marty Hart is a creature entirely of the Solar, a Solar so encompassing that it cannot be Solar-Lunar or Solar-Stellar, only Solar, as pressing as the gravity of the Sun itself. Meanwhile, Rust Cohle is one of the most Lunar-Stellar human characters I have ever seen in all fiction, but television in particular. Too often, characters meant to be Lunar-Stellar end up being not that at all, because the Lunar-Stellar is not a realm in which multiple seasons, or films, can survive in. But that is for later. For now, I will speak of the Solar.

The Solar pervades throughout TLBD. Through the Yellow King whom the cultists worship as equivalent to God, and the yellow color that indicates both His presence, and the presence of Earthly, but no less horrifying, power. Marty's hair is sunny blonde, and his home is soaked in that particular 1990's yellow. Yellow is the color of light -- but what that light means, what it brings with it, is an uncertain proposition.

There are many positives to the Solar, many valuable things, but TLBD digs deep into the horrors of the Solar, in all its annihilating glory.
I think that many popular portrayals in the Fencraft show the Solar world as a safe place, rather staid and boring at worst, like a dull-but-not-terrible-beyond-that hometown in spiritual form. The horrors under the Solar realm took place long ago, in raiding and war or who got to rule, but now? Now that's just sort of the way things are, and it is the job of the Solar-Lunar path to make them shake out right. But the purely Solar world is one where societal power makes all, sinks into everything around it, forces it into its patterns, because otherwise you are outside of the Solar world, and it's open season.

Marty starts out as the ostensible "straight man" of the story, seeming to be the saner of the two narrators -- but his narration is unreliable, and even in his first few scenes, we have seen what the cult of the Solar has wrought on him. The cult of the Solar is distinctive from the Yellow King cult, but is it, really? They are both about earthly power raised to the level of the spiritual, about keeping everyone in their place, damn the consequences for everyone who isn't lucky enough to be on top. Both are signaled, in TLBD, with the color yellow, through light and clothing and soap and food to seep back into everyone and everything.

At the start of TLBD, Marty has everything going for him. He's got a wife (they married at 19) and two girls, a nice house in the "right" neighborhood, and he gets along well with his coworkers. He played football in high school and in college, fishes regularly, keeps up with the "right" games, and basically has no reason to feel threatened in his life at all.
Marty is also one of the most insecure male characters I've seen in fiction, ever, and is my go-to example of toxic masculinity. I wrote the following earlier this year, and I stand by it.

Marty, by the time we meet him, both in the present day and in flashbacks, is a mess. He’s violent to the people he doesn’t care about, whiny to the ones he does, and damages every relationship he comes in contact with for not providing the proof (to him) that he’s a “real man”. He refuses to call his daughters by their names, only referring to them by pet names or insults, and has no pictures of them in his house (although there are his fishing trophies and several blown-up pictures of him in his college football outfit). He sleeps around because he thinks that it will prove to himself and to everyone else that he’s still young (he’s 32-ish at the time). Every man he meets, he first describes in terms of whether or not they could beat him up, or if he could beat them up.

By the end of TLBD, he’s learned to be a marginally better person, but it took being completely single and friendless for years, plus getting an axe to the chest. TLBD does not shy away from the fact that it was probably sheer laziness that kept Marty from being a serial killer, that Marty is bad and should feel bad.

Before I hurt Malcolm, we were talking about how Marty's loathing-and-horniness combo at anything female that enters his field of vision is palpable, and that he was probably thinking about moving into "Justified" Revenge On Conveniently Marginalized Women killings before he got partnered with Rust. Who, being antithetical to the Solar, is not the kind of person to let something go just because the dead person was "unimportant". But that's the exact sort of thing the cult of the Solar supports -- oh, there's some things you're just expected to go along with, you know, these things happen, boys will be boys.
goatgodschild: (Default)
I decided to rewatch True Detective: The Long Bright Dark (TLBD), as part of my Reading work for the Lunar.
At least some of it, because every time I watch it, I think about how Malcolm and I watched it, how many in-jokes and discussions and references we had around it, everything, and it hurts.
I've now seen the first episode four or five times now, and it gets me every time. Every time I watch it, there's some detail that shows up and makes me love what happened in that first season all the more.
Alas, we are unlikely to see any more of Hart & Cohle Investigations, for a variety of reasons, but that is another story.

TLBD is the story of two men, Rust Cohle and Marty Hart, who come back as PIs after their respective retirements from the police force in order to solve the murder case they failed to 17 years prior.
It's also an extremely homoerotic exploration of power, hypocrisy, self-destruction, obsession, toxic masculinity, depression, and just the overall  darkness in the human heart.

I tried to take notes while I watched, but they didn't come out as well as I wanted them to, so I'm just going to start typing instead, spoilers be damned.

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